![]() ![]() Those gentle exfoliating and hydrating items were the foundation for Time Bomb, which she says helped sort her skin and make her feel better about ageing. In typical Lulu fashion she decided to do something about it, working with former Frieda company friends and scientists to develop her own bespoke products. “I was shocked because I thought I was invincible.” Like many women, she describes her 40s as a time when she realised gravity was taking its toll. The Auckland stop-over of her tour doubled as an opportunity to launch her Time Bomb skincare range on to the New Zealand market. Learning “gratitude” and taking joy from her two grandchildren were all part of feeling happier than ever. “I’ve done an inside job on myself,” she said, explaining how she worked with a spiritual teacher, had therapy and now meditates and watches her diet. It helped push her into song-writing, which she describes as “cathartic”. While others of her era succumbed to the pressures of fame, Lulu came to terms with her own teenage insecurities, including about her appearance, and later to the devastating break-up of her second marriage of 17 years. She grew up tough in the tenements with a father who liked to roar about the house, alternating with singing as heartily as Pavarotti. Long labelled “pop” she says it’s not a dirty word but she cites black American RnB and soul as her true inspirations. Lulu lauds modern female stars such as Adele and Rihanna but says she is glad she came to fame in a more magical, less money-driven time. The two had a brief relationship in the mid-1970s, between her marriages to Bee Gee Maurice Gibb and hairdressing entrepreneur John Frieda. So too The Man Who Fell to Earth, a David Bowie cover which he co-produced for her. Then there’s the 1967 Eurovision winner Boom Bang a Bang, which she’s happy to park in the past and the Bond theme, The Man with the Golden Gun, which she still belts out. That career spans more than 50 years and includes era-defining Youth Quake songs such as Shout, which she recorded as a 15-year-old in 1965. She sang at the closing of the Commonwealth Games in Scotland and says she has been enjoying some of the best record reviews of her career with self-penned songs. Reaching such venerable status is a career validation for the wee lass with the big voice from Glasgow. ![]() But she’s happy to discuss everything else, including cannily dropping an anecdote about how Ab Fab co-writer Jennifer Saunders once ruled out a plan to kill off her character, saying: “We can’t shoot Lulu, she’s a national treasure.” “I’m not allowed to talk about it,” says the tiny singer. With a movie version of Ab Fab about to premiere in the UK - while Lulu is on a double-act tour of Australasia with Leo Sayer - Viva has to ask if celluloid celebrity is still all bubbles and bitchiness. “Someone will pop out of a shop and say it,” laughs the star, who in real life proves anything but the demanding diva of the television comedy. Champagne for Lulu” is a catchphrase from Absolutely Fabulous that follows the veteran British entertainer around. ![]()
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